Part 1

Fade In

HAYLEY (voiceover)
In life, we are all faced with a series of choices that could change everything. For better or for worse. The choices an average person would make is should I look for a new job or stick with the safety and security of my current job? Do I really love this person or is there someone better out there for me? I made my choices, just like everyone else. For better or for worse…

Cut to
EXT. – FRONT OF SCHOOL – MORNING

TAMARA, fifteen, is standing alone with her school bag in her hands. She is wearing her school uniform.
TAMARA watches BLAKE and SUSIE, both fifteen, as they sit on a bench and talk to each other. BLAKE slowly leans forward and kisses SUSIE on the lips, who responds. TAMARA sighs, longing that one day someone will care for her.

Cut to
INT. – SCHOOL CORRIDOR – MORNING

TAMARA stops outside her locker. She brings out her locker key and opens the locker. A note drops onto the floor.
TAMARA crouches down and picks it up. It reads: ‘Bike shed. End of the day. Blake.’ TAMARA smiles. Maybe she has found someone who cares for her after all…

Cut to
EXT. – SCHOOL BIKE SHED – AFTERNOON

TAMARA is standing alone at the bike shed, patiently awaiting BLAKE’S arrival. SUSIE walks to TAMARA. It is inaudible as TAMARA and SUSIE talk to each other.
TAMARA is visibly disappointed at the news that SUSIE has deceived her. A scuffle ensues and TAMARA is pushed to the floor, grazing her knees. SUSIE walks away, laughing. EDWIN, late twenties, stands behind TAMARA. He crouches down to TAMARA’S level and whispers in her ear.

EDWIN
Kill her.

Cut to
INT. – GIRLS TOILETS – MORNING

Page 1
SUSIE stands at the sink. She washes her hands and is about to dry them, but she is distracted by TAMARA walking inside the room. SUSIE smirks as a dagger is visible in TAMARA’S hands.
TARAMA repeatedly stabs SUSIE in the stomach with the dagger. SUSIE collapses to the floor, bleeding heavily. She dies. TAMARA looks at her hands and sees that they are covered in blood. She quickly washes them…

Cut to
EXT. – FRONT OF SCHOOL – MORNING

EDWIN is standing alone at the school gates. He watches TAMARA as she walks towards him. She stops. Silence.
EDWIN sees the blood stains on TAMARA’S shirt and is aware that TAMARA has murdered SUSIE. He rests his hand on TAMARA’S shoulder.

EDWIN
It was for the best.

Twenty-Two Years Later

Cut to
EXT. – CAR PARK ROOFTOP – NIGHT

MILES, mid-forties, a smartly dressed business associate, runs onto the roof. Sweating and out of breath, MILES is on the run. MILES runs to the edge of the roof and looks down at the ground. There are two dead bodies in the street.
MILES turns back around and jumps when he sees HAYLEY, late thirties, standing before him.

MILES (desperately)
Please. Show some mercy.

HAYLEY grabs hold of MILES and pushes him over the edge of the roof. He plummets to his death. HAYLEY brushes her hands and casually walks away.

Cut to
INT. – JACOB AND HAYLEY’S BEDROOM – NIGHT

JACOB, late thirties, is laying on the bed, asleep. The bedroom door creaks open and HAYLEY steps inside the room, wearing a nightgown.
HAYLEY gets in the bed with JACOB and watches him. Satisfied that he has not been disturbed, HAYLEY closes her eyes…


Page 2
Opening Titles

Cut to
INT. – JACOB AND HAYLEY’S KITCHEN – MORNING

HAYLEY places a plate of toast and a mug of tea on the table. JACOB walks inside the room, smartly dressed and with a briefcase in his hands.

JACOB
Morning, sweetheart.

JACOB and HAYLEY kiss. JACOB places the briefcase on the floor. HAYLEY watches JACOB as he eats a slice of toast.

HAYLEY
What time do you think you’ll finish today?

JACOB
It’s hard to tell. There’s a lot going on at the moment. I’ll try not to get back too late.

JACOB finishes eating the slice of toast. He picks up the mug of tea and takes a few mouthfuls of it. He places the mug back on the table.

JACOB (continued)
Right. I’m off.

JACOB and HAYLEY kiss. JACOB picks up his briefcase and walks out of the room. The front door can be heard closing as JACOB leaves the house.

Cut to
INT. – MASON’S HALLWAY – MORNING

STITCH, seventeen, walks down the stairs, listening to music on his iPod. He is wearing his school uniform and his rucksack is on his back.

STITCH (calling)
Cya, Dad!

There is no reply. STITCH opens the front door and walks out of the house. He closes the door.

Cut to
EXT. – MASON’S FRONT GARDEN – MORNING


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STITCH walks out of the front garden with his hands inside his trouser pockets. He walks down the street, pleased to be away from the house…

Cut to
INT. – JACOB AND HAYLEY’S SHED – MORNING

The shed door opens and HAYLEY walks inside the shed. She closes the door and switches the light on. The shed is filled with gardening materials.
HAYLEY lifts up a floorboard, revealing a control panel. HAYLEY types in a four digit code and the floor opens up, revealing a stairwell…

Cut to
INT. – HAYLEY’S ARMOURY – MORNING

HAYLEY walks down the stairwell and into the room. The light
switches on automatically, revealing several different weapons on the walls, such as: pistols, machine guns, shotguns, hand grenades, bulletproof vests and a rocket launcher.
Crates of ammunition are on the floor. There are piles of dollars, euros and international passports on a desk. There is also a computer inside the room, along with a screen on the wall. An image of SAM, early forties, who is sitting at a desk, is projected onto the screen.

SAM
Congratulations on yet another successful assignment. The money has been transferred into your bank account.

HAYLEY
The amount we discussed?

SAM
And a little extra for taking a swift approach to the matter. (pauses) When will you be ready for your next assignment?

HAYLEY
Whenever I’m needed. You know that.

SAM
Just thought I’d check. I’ll be in touch soon.

The screen cuts out.

Cut to
INT. – JACOB’S OFFICE – MORNING


Page 4
JACOB is sitting at the desk, typing up a report on the laptop. He has a pair of glasses on. JACOB’S briefcase is on the floor, next to the desk.
There is a knock on the office door and it opens. FRANCESQA, early thirties, walks inside the room with a mug of tea in her hands.

FRANCESQA
I brought you some tea.

JACOB
Ah, thank you.

JACOB takes his glasses off and places them on the desk as FRANCESQA stands in front of him. She hands the mug of tea to JACOB, who takes a sip of it. FRANCESQA sits in front of him.

FRANCESQA
So I was wondering if you were free after work. If you are, do you want to come over?

JACOB
I would, but it’s Hayley’s turn cooking. You knows what she’s like if I miss dinner.

FRANCESQA
How about now if you’re not too busy?

JACOB smiles. He places the mug of tea on the desk and gets to his feet. He closes the office door, then turns back to face FRANCESQA, who gets to her feet. They kiss and begin undressing each other.

Cut to
INT. – SCHOOL GYM – MORNING

STITCH and MEGAN, sixteen, are standing in the middle of the room, rehearsing for the school play. They are playing the two main characters. They each have a copy of the script in their hands and their bags are in the corner of the room.

MEGAN
So when I say my line, you say yours straight after.

STITCH
How shall I say it?

MEGAN
Try and say it from the heart. Put some emphasis into it, but

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don’t over-do it.

STITCH pulls a shocked face. MEGAN laughs. There is an
awkward silence between them. STITCH slowly leans forward. He is about to kiss MEGAN, unaware that BULLY 1, BULLY 2 and BULLY 3 are standing inside the room.

BULLY 1
How cute. I hope we weren’t interrupting you.

STITCH and MEGAN face them awkwardly. BULLY 1, BULLY 2 and BULLY 3 walk towards them. BULLY 1 punches STITCH in the stomach. STITCH groans and drops to his knees. BULLY 1, BULLY
2 and BULLY 3 walk out of the room, laughing.

MEGAN
Maybe we should call it a day.

STITCH
No. (gets to his feet) Let’s go again.

Cut to
INT. – SUPERMARKET – AFTERNOON

HAYLEY is pushing a trolley down the biscuit and crisps aisle. The trolley is filled with soft drinks, a crate of beer and also refrigerated and non-refrigerated foods. HAYLEY picks up a packet of biscuits and puts them inside the trolley.

Cut to
INT. – HAYLEY’S CAR – AFTERNOON

The car is parked in the car park of the supermarket. HAYLEY sits in the driver’s seat and puts her handbag on the front passenger’s seat. HAYLEY watches a car as it parks in the parking space next to the car.
As the DRIVER gets out of the car, the door hits the side of HAYLEY’S car. HAYLEY is visibly outraged. She takes a deep breath in an attempt to calm herself down.

Cut to
INT. – JACOB AND HAYLEY’S HALLWAY – EVENING

The front door opens and JACOB walks inside the house with his briefcase in his hands. He closes the door and leaves the suitcase on the floor.

JACOB (calling)
Honey, I’m home!

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HAYLEY
I’m in here!

JACOB walks across the hallway, towards the kitchen…

Cut to
INT. – JACOB AND HAYLEY’S KITCHEN – EVENING

HAYLEY is standing at a worktop, reading a magazine. A pair of oven gloves are next to the magazine. JACOB walks inside the room. He stands behind HAYLEY and kisses her on the neck.

HAYLEY
How was work?

JACOB
Strenuous.

HAYLEY
At least you’re home now.

JACOB
Mmm, What’s for dinner?

HAYLEY suddenly realizes that a roast chicken is cooking in
the oven.

HAYLEY
Oh no! The chicken!

HAYLEY quickly puts on the oven gloves. She opens the oven
door and thick smoke exits the oven. HAYLEY brings out the chicken, which is badly burnt.

JACOB
I’ll order something in.

Cut to
INT. – JACOB AND HAYLEY’S LIVING ROOM – EVENING

JACOB and HAYLEY are sitting on the floor in complete silence. They are each eating a portion of fish and chips.

HAYLEY
I’m really sorry for messing up dinner. I can’t believe it happened.

JACOB
It’s fine. Better than undercooking it.

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HAYLEY
The last time we ate this, it was the night we met. Do you remember?

JACOB
How can I not remember the night I met the most beautiful woman on the planet?

HAYLEY smiles. JACOB slowly leans forward and kisses HAYLEY on the lips, who responds.

Cut to
INT. – PUB – EVENING

JACOB is sitting alone at a table in the corner of the room. MASON, early forties, stands at the table with two pints of beer in his hands.

MASON
Here you go, mate.

MASON places the two pints of beer down on the table and sits down. They each take a sip of the beer.

MASON (continued)
So how’s things between you and Hayley? It’s been a while
since I’ve seen you two together.

JACOB
I’m busy with work. She’s always out running youth and charity
events. I barely get to see much of her anymore.

MASON
What about the other bird you’re seeing?

Cut to
INT. – VILLAGE HALL – EVENING

HAYLEY is sitting on a chair. Her handbag is on the floor, next to the chair. STITCH is standing amongst a small group of teenagers, who are talking to each other.
He is now wearing casual clothes and has sweatbands covering his wrists. HAYLEY gets to her feet and claps her hands. The room falls silent.

HAYLEY
I’m afraid that’s all we’ve got time for today. I’ll see you all the same time next week.


Page 8
All the teenagers leave the room, all except STITCH, who walks to HAYLEY.

STITCH
Thank you, Mrs H. Tonight was fun.

HAYLEY
(picks up her handbag) I’m glad you enjoyed yourself.

HAYLEY and STITCH walk towards the entrance of the building.

HAYLEY (continued)
How are things back home?

STITCH
They’re getting better. Dad actually knows I exist, which is a miracle as he spends most of the time down the pub.

HAYLEY
A typical man.

STITCH
(laughs) Yeah. I hope that’s not me in ten years time.

HAYLEY
Tell me. Are you still at school?

STITCH
Upper sixth form.

HAYLEY
How’s that going for you?

STITCH
All right, I guess.

Cut to
EXT. – OUTSIDE THE VILLAGE HALL – EVENING

HAYLEY’S car is parked by the edge of the road. There is a parking ticket on the windscreen.
HAYLEY and STITCH walk out of the village hall. HAYLEY has her handbag in her hands and is talking with STITCH. HAYLEY sees the parking ticket on the windscreen.

HAYLEY
A parking ticket. Typical.

STITCH

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Owned.

HAYLEY
(faces STITCH) How are you getting home?

STITCH
Bus. It’s how I roll.

HAYLEY
I could give you a lift if you like.

STITCH
No, thanks. I pay for a bus pass, so I might as well use it.

HAYLEY
I’ll see you next week. Take care of yourself, Stitch.

STITCH walks down the street with his hands inside his jean
pockets. HAYLEY removes the parking ticket from the windscreen and screws it up.

Cut to
INT. – JACOB AND HAYLEY’S BEDROOM – NIGHT

HAYLEY is laying on the bed, reading a book. The main light is off, but the bedside lamp is on. The front door can be heard opening and closing as JACOB arrives home from the pub.
A vase can be heard smashing. HAYLEY puts the book down. She reaches underneath the bed, bringing out a gun. HAYLEY gets to her feet and walks out of the room.

Cut to
INT. – JACOB AND HAYLEY’S HALLWAY – NIGHT

Darkness. HAYLEY walks down the stairs with the gun in her hands. She switches the hallway light on and sees JACOB crouching down, picking up the shards of the broken vase. He is visibly drunk. HAYLEY puts the gun away and sighs.

HAYLEY
Jacob.

JACOB
It sorta fell. I’m sorry.

HAYLEY
Never mind.

HAYLEY takes the broken shards from JACOB and places them on a

Page 10
shelf. She then helps JACOB to his feet. He touches her face.

JACOB
I love you so much. I hope you know that.

HAYLEY
Let’s get you to bed.

HAYLEY helps to support JACOB as they walk towards the stairs.

Cut to
INT. – JACOB AND HAYLEY’S BEDROOM – NIGHT

JACOB collapses onto the bed. HAYLEY lays on the other side of the bed. She picks up her book and continues reading it. JACOB stares at HAYLEY adoringly.

JACOB
When was the last time we had sex?

HAYLEY
A while ago.

JACOB
What do you say? I’m all for it.

HAYLEY faces JACOB. She smiles and puts the book on the bedside cabinet. She gets to her feet and switches the light off. HAYLEY looks back to JACOB and sees that he is asleep. She sighs and gets back into bed. Fade to black.

Cut to
INT. – JACOB AND HAYLEY’S HALLWAY – MORNING

JACOB walks down the stairs with his briefcase in his hands. He walks to the front door, unaware that HAYLEY is standing in the doorway of the kitchen.

HAYLEY
Don’t even get a kiss before you go?

JACOB
(faces HAYLEY) I thought you’d already left.

HAYLEY walks to JACOB and kisses him on the lips.

HAYLEY
I love you.


Page 11
JACOB opens the front door and walks out of the house. HAYLEY
watches JACOB as he walks towards his car, which is parked on the driveway.

Cut to
INT. – HAYLEY’S ARMOURY – MORNING

HAYLEY is standing at the desk with two revolvers in front of her. She picks them and loads them. She puts them back on the desk. An image of SAM projects onto the screen.

SAM
I have your next assignment. The target’s name is Damien Richards.

An image of JACOB is projected onto the screen. All of his personal information matches that of JACOB’S.

HAYLEY
How reliable is the intel?

SAM
One hundred percent, as per usual. The rates of pay remain the same. Good luck.

The screen cuts out. HAYLEY walks to the computer. She turns the screen on and loads up the search engine.
She types in JACOB’S name. JACOB’S personal details load onto the screen. HAYLEY types in DAMIEN’S name into the search engine. No results are found.

HAYLEY
Who are you?

Cut to
INT. – OUTSIDE JACOB’S OFFICE – MORNING

The office door opens and FRANCESQA walks out of the office, giggling. She is slightly blushed and the top three buttons on her shirt are undone. FRANCESQA closes the office door and walks away.

Cut to
INT. – OFFICE BLOCK CAFÉ – MORNING

HAYLEY is sitting at a table on her own, thinking about her assignment. HAYLEY’S handbag is on top of the table. FRANCESQA walks past HAYLEY with a mug of coffee in her hands. She recognizes HAYLEY and sits at the table with her.

Page 12
FRANCESQA
I work with your husband. The name’s Francesqa. (pauses) That is why you’re here? To see him?

HAYLEY
Yes.

FRANCESQA
I could take you to his office.

HAYLEY
No. That won’t be necessary.

HAYLEY picks up her handbag and gets to her feet.

HAYLEY (continued)
Tell me. Does a man called Damien Richards work here?

FRANCESQA
Not that I know of. Why?

HAYLEY
I’m just curious.

FRANCESQA watches HAYLEY as she walks towards the entrance of the building.

FRANCESQA
Hayley.

HAYLEY turns back to face FRANCESQA.

FRANCESQA (continued)
It was nice meeting you.

HAYLEY smiles.

Cut to
INT. – JACOB AND HAYLEY’S KITCHEN – EVENING

JACOB and HAYLEY are sitting at the table in complete silence.
They each have a plate of food, cutlery and a can of beer in front of them. Their meals remain untouched.
HAYLEY’S hands are underneath the table. JACOB is unaware
that HAYLEY has poisoned his meal. JACOB is suspicious of HAYLEY’S quiet behaviour.

JACOB
You don’t seem yourself.

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HAYLEY
(smiles) Sorry.

JACOB picks up his cutlery. He is about to take a mouthful of food, but puts the cutlery back down.

JACOB
Are you divorcing me?

HAYLEY
No. Just killing you.

HAYLEY brings out a dagger from underneath the table and throws it at JACOB. The dagger narrowly misses JACOB. In the process of trying to get up, JACOB falls backwards off his chair and onto the floor.
HAYLEY brings out another dagger. JACOB grabs hold of the chair and uses it as a shield. HAYLEY throws the dagger at JACOB. It gets stuck in the chair. JACOB gets to his feet, still holding onto the chair.

JACOB
Whatever I’ve done to piss you off, I’m very sorry. Please. Can we just talk about this?

HAYLEY
Is your name Damien Richards?

JACOB
No! Honey, you know my name. It’s Jacob. I don’t even know someone called Damien.

HAYLEY
Liar!

HAYLEY brings out another dagger.

JACOB
Honey, put the knife down.

HAYLEY repeatedly tries to stab JACOB with the dagger. JACOB
pushes HAYLEY back with the chair. She falls onto the table and rolls onto the floor. JACOB throws the chair to the floor and runs towards the kitchen door.

JACOB (loudly)
We’ll talk about this when you’re not so mad!

HAYLEY quickly brings out a pistol and aims it at JACOB. She

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pulls the trigger repeatedly JACOB runs out of the room and the bullets go into the wall. HAYLEY gets to her feet. She reloads the gun as she walks towards the kitchen door…

Cut to
INT. – JACOB AND HAYLEY’S HALLWAY – EVENING

JACOB opens the front door. He turns around and sees HAYLEY walk out of the kitchen with the pistol in her hands. She repeatedly shoots at JACOB, each of the bullets missing him.
JACOB screams and sprints out of the house. JACOB reappears in the doorway of the house and closes the front door. HAYLEY runs towards the front door.

Cut to
EXT. – JACOB AND HAYLEY’S FRONT GARDEN – EVENING

JACOB runs to his car, which is parked on the driveway. He brings out his car keys and accidentally drops them on the floor.

JACOB
Shit.

JACOB picks up his car keys as the front door opens and HAYLEY walks out of the house, with the pistol in her hands.
She opens fire on JACOB. JACOB puts the car keys back inside his pocket and runs out of the garden. He sprints down the street, desperate to get away from HAYLEY.

JACOB (shouting)
You’re mental, woman! An absolute nutter!

HAYLEY
(sighs) Hurry up and die already.

Cut to
EXT. – STREET – EVENING

JACOB is sprinting down the street, desperate to get away from
HAYLEY. He is running out of breath and his pace is slowing. JACOB turns around and sees that no one is there. Relieved that he has escaped from HAYLEY, JACOB stops running.
JACOB walks down the street as he brings out his phone and scrolls through his contacts until he reaches MASON’S number. He rings it. MASON answers the phone.

MASON
Hello?

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JACOB (out of breath)
Mason, it’s me. This is going to sound completely ridiculous, but Hayley’s trying to kill me. She just flipped out on me.

MASON
All right. All right. Calm down. Where are you?

JACOB
I’m…

A car can be heard approaching behind JACOB. JACOB turns around and sees HAYLEY driving towards him. JACOB cuts off the call and sprints down the street.

JACOB (nervously)
This isn’t real. This isn’t real.

HAYLEY keeps a short distance away from JACOB. She slowly drives into him, purposely un-harming him.
JACOB falls to the floor. He quickly gets to his feet and
runs to the other side of the road to avoid being run over by HAYLEY. HAYLEY pulls up alongside JACOB and opens the window so that she can talk to him.

HAYLEY
Hey, lover.

JACOB
Stop this now! I could get hurt!

HAYLEY
That’s the point!

JACOB
If I’m still alive by the morning, you’re so divorced!

HAYLEY laughs. She brings out a pistol. JACOB screams as HAYLEY shoots at him. The bullets miss. JACOB spots JIMMY and REBECCA’S house towards the end of the street. He runs towards
it…

Cut to
EXT. – JIMMY AND REBECCA’S FRONT GARDEN – EVENING

JACOB runs across the front garden. He stops at the front door and repeatedly bangs on it.
HAYLEY stops the car by the edge of the car. She gets out of the car and walks towards JACOB. The front door opens. JIMMY and RACHEL, both mid-forties, stand in the doorway of

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the house.

REBECCA (concerned)
Jacob? What’s the matter?

HAYLEY stands with JACOB.

HAYLEY
We came to see how you were. We hope you don’t mind.

Cut to
INT. – JIMMY AND REBECCA’S LIVING ROOM – EVENING

JACOB and HAYLEY are sitting on the settee in complete silence. JIMMY and REBECCA walk inside the room, each with a mug of coffee in their hands. They sit on the settee opposite JACOB and HAYLEY.

REBECCA
Are you sure you don’t want a drink?

HAYLEY
No, thank you.

REBECCA
(faces JACOB) Jacob?

JACOB
I’m fine. I wouldn’t mind using your bathroom if it’s at all possible?

REBECCA
Of course. Go up the stairs and it’s the first door on your right.

Both JACOB and HAYLEY get to their feet.

JIMMY
Surely you both don’t need to go?

HAYLEY
I know, but Jacob doesn’t like to go on his own.

JACOB
Oh, I think I’ll be able to manage, dearest.

HAYLEY sits back down. JACOB walks out of the room and HAYLEY smiles awkwardly.


Page 17
Cut to
INT. – JIMMY AND REBECCA’S BATHROOM – EVENING

The bathroom door opens and JACOB walks inside the room. He switches the light on, closes the bathroom door and locks it.
JACOB looks around the room for a possible way out. The bathroom door is suddenly kicked open and HAYLEY walks inside
the room. She closes the door.

JACOB
You can’t kill me. Jimmy and Rebecca are downstairs.

HAYLEY
If I were going to kill you here, you’d already be dead.

JACOB
(smiles) I knew you’d come around.

JACOB goes to hug HAYLEY, but she brings out a pistol and aims it at his stomach.

HAYLEY
If you want to live, you better start talking. I want to know everything.

JACOB (reluctantly)
I’m having an affair.

HAYLEY is visibly shocked by what JACOB has just told her.

HAYLEY
(stutters) You…you can’t be. If you were seeing someone else, I would know.

JACOB
So what? You’ve been following me now?

HAYLEY is silent.

JACOB (continued)
I feel violated. What you’ve been doing tonight is a complete violation of my human rights. You…you should see a counselor.

HAYLEY
I did. He said something I disagreed with, so I killed him.

JACOB
No! You can’t do that! Just because someone says or does something you don’t agree with, it doesn’t mean you kill them.

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JACOB suddenly realizes that throughout their entire marriage, HAYLEY has murdered every person whom they have had a disagreement with.

JACOB (continued)
That guy at the supermarket. You shot him, didn’t you?

HAYLEY
I asked him to move his trolley, but he ignored me. He was so rude.

JACOB
I can’t believe I’m hearing this. (paces up and down the room) I should report you to the police.

HAYLEY loads the gun.

JACOB (continued)
Or we could give our marriage another go.

HAYLEY
I was considering letting you live, but the fact you’ve been sleeping with another woman has ruined your chances.

JACOB
(mutters) I love you.

JACOB headbutts HAYLEY. She drops the gun on the floor. HAYLEY retaliates by punching JACOB in the face, breaking his nose. HAYLEY pushes JACOB to his knees and lifts up the toilet seat.
HAYLEY holds JACOB’S head in the toilet and flushes it. JACOB chokes. HAYLEY is suddenly distracted by REBECCA knocking on the bathroom door.

REBECCA (calling)
Is everything all right in there?

HAYLEY
Yes! Everything’s fine!

HAYLEY lets go of JACOB, who chokes. She walks towards the bathroom door. She is about to pick up the gun, but JACOB gets to his feet. He charges into HAYLEY and they both fall into the bathtub. HAYLEY attempts to force JACOB off of her, but JACOB grabs hold of HAYLEY’S head and hits it on the side of the bathtub. HAYLEY is knocked unconscious.
JACOB gets out of the bathtub. He picks up the gun from off the floor and puts it inside his jacket. He opens the bathroom door and walks out of the room.

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Cut to
INT. – JIMMY AND REBECCA’S HALLWAY – EVENING

JACOB walks casually down the stairs, acting as if the fight with HAYLEY never happened. JACOB opens the front door,
unaware that JIMMY and REBECCA are standing in the doorway of
the living room. JACOB turns to face them.

JACOB
Thank you for your hospitality.

JACOB opens the front door and walks out of the house. He closes the door.

Cut to
INT. – MASON’S HALLWAY – NIGHT

There is a knock on the front door. MASON walks out of the kitchen with a half empty can of beer in his hands.
He walks across the hallway, towards the front door.
MASON opens the front door and sees JACOB standing in the doorway of the house.

Cut to
INT. – MASON’S KITCHEN – NIGHT

JACOB and MASON are sitting at the table, quietly talking to each other. They each have a half empty can of beer in front of them, which they are drinking from.

JACOB
Honestly, mate. I don’t know what I’ve done to piss her off, but there’s no stopping her. She’s like the Terminator.

MASON
So what you’re saying is That you married a professional killer?

JACOB
Sounds pathetic, but I’m not lying.

JACOB takes a mouthful of beer.

MASON
When did she first try to kill you?

JACOB
At dinner. I think she tried poisoning me. Mind you, it’s not the first time I’ve been poisoned with her cooking.

Page 20
They are unaware that STITCH is standing in the doorway of the room.

STITCH
I’m going to bed now, Dad.

MASON
Goodnight, Stitch.

STITCH walks out of the room. JACOB and MASON hear STITCH walking up the stairs.

MASON (continued)
So why is Hayley trying to kill you?

JACOB
She thinks my name’s Damien Richards, whoever the hell that is.

JACOB takes another mouthful of beer as MASON gets to his feet.

MASON
She’s wrong.

JACOB
You don’t need to tell me twice.

MASON
I’m Damien Richards.

MASON brings out a gun from his jacket. He is about to shoot JACOB, but MASON is shot in the arm through the window. MASON falls back against the wall and drops the gun on the floor.
JACOB gets to his feet and brings out the pistol from his jacket. He aims it at MASON. The back door opens and HAYLEY steps inside the room with two pistols in her hands. She keeps one pistol aimed at JACOB and the other aimed at MASON.

HAYLEY
Damien Richards. Which one of you is it?

JACOB points to MASON.

HAYLEY (continued)
Why do they want me to kill you? You carry a weapon, so you’re a threat of some sort.

MASON

Page 21
I don’t know. I swear I’m telling you the truth.

HAYLEY shoots the wall above MASON’S head.

MASON (desperately)
All right. I’ll tell you everything you need to know. Just
don’t kill me.

HAYLEY
Start talking.

MASON
I found out something I wasn’t supposed to know. The firm you work for, has been working with the government. I think you know what for.

JACOB
Wait. You knew she was a killer?

MASON
Of course I knew. The firm I was working for assigned me to find out if she knew anything. The evidence is most conclusive.

HAYLEY
What do they do to the people who find out?

MASON
I think you know.

They are distracted by the sound of STITCH walking down the stairs and walking inside the room.

STITCH
What’s going on?

MASON suddenly grabs hold of STITCH and uses him as a human shield. He also brings out another gun and puts it against STITCH’S head.

MASON
Make a move and I’ll kill him.

STITCH (struggling)
Dad, please. Let me go.

HAYLEY
Stay still, Stitch. I’ll get you out of this.


Page 22
MASON
Don’t think I won’t do it.

STITCH
Hayley.

JACOB pulls the trigger, but the gun clicks. MASON uses the
distraction to walk backwards to the kitchen door.

MASON
Don’t follow me.

MASON pushes STITCH away from him. He turns and sprints out of the room.

HAYLEY
(faces JACOB) Look after him.

HAYLEY runs out of the room, in pursuit of MASON. JACOB looks at the gun.

JACOB
Fat lot of good this is.

Cut to
EXT. – MASON’S FRONT GARDEN – NIGHT

HAYLEY sprints out of the house with two pistols in her hands. HAYLEY watches as MASON’S car reverses off the driveway and travels down the street. HAYLEY sighs and puts the pistols away…

Cut to
INT. – MASON’S HALLWAY – NIGHT

HAYLEY walks inside the house and closes the front door.
JACOB and STITCH walk out of the kitchen. STITCH is shaken by what has just happened.

JACOB
How the hell do you two know each other?

HAYLEY
I’m his youth worker.

JACOB
Great. That explains a lot. (pauses) So are you still trying to kill me?


Page 23
HAYLEY
That depends. Have you been sleeping with anyone else?

JACOB shakes his head.

HAYLEY (continued)
Good.

STITCH
(stutters) I…I don’t get it. What just happened? My Dad.

HAYLEY
I’m an assassin. I kill people for money. Cooking’s something I’m not good at, but killing, I am. I need to search the house to see if I can find any intel. Stitch, you’re with me. Jacob, check to make sure Mason doesn’t return.

JACOB
And how am I supposed to defend myself if he does?

HAYLEY
You’re a big boy. Think of something.

HAYLEY runs up the stairs. STITCH walks after her. JACOB sighs.

Cut to
INT. – MASON’S BEDROOM – NIGHT

HAYLEY puts on a pair of leather gloves as she walks inside the room. She is followed closely by STITCH. HAYLEY picks up a bag from off the floor and begins searching the room.

STITCH
What are we looking for?

HAYLEY
Laptops, paperwork. Anything that will give an indication as to what we’re up against.

HAYLEY looks inside the wardrobe. She sees MASON’S clothes hanging up inside it. HAYLEY closes the wardrobe door and searches through a chest of drawers. She is not able to find anything.

STITCH
Dad keeps his laptop downstairs. In the living room.

HAYLEY

Page 24
Let’s go.

Cut to
INT. – MASON’S HALLWAY – NIGHT

JACOB is standing at the bottom of the stairs, patiently waiting for HAYLEY and STITCH to finish searching through MASON’S personal belongings. HAYLEY and STITCH hurry down the stairs. HAYLEY has the bag in her hands.

JACOB
(faces HAYLEY) Find anything?

HAYLEY
Not now.

HAYLEY walks towards the living room. STITCH walks after her. He struggles to keep up with her.

Cut to
INT. – MASON’S LIVING ROOM – NIGHT

HAYLEY walks inside the room and switches on the light. She is followed closely by STITCH. HAYLEY sees MASON’S laptop on the settee. She picks it up and puts it inside the bag. She turns to face STITCH.

HAYLEY
Anything else?

STITCH
I don’t know. I don’t know where dad keeps most of his stuff.

JACOB stands in the doorway of the room.

JACOB
It would actually be nice to know what the hell is going on. I’ve been shot at by my wife and my best friend!

HAYLEY looks around the room. She remains distracted from JACOB.

JACOB (continued)
You’re not even listening to me!

HAYLEY
Quiet!

JACOB sighs. HAYLEY walks to the lamp in the corner of the

Page 25
room. She brings out a wire from it and holds it in front of JACOB and STITCH. HAYLEY puts the wire on the floor and stomps on it, breaking it.

HAYLEY (continued)
The whole house must be covered in these. We need to leave. I’ll explain everything at the house.

Cut to
INT. – JACOB AND HAYLEY’S SHED – NIGHT

The shed door opens and HAYLEY walks inside the shed with the bag in her hands. She is followed closely by JACOB and STITCH. HAYLEY switches the light on.

HAYLEY
Make sure you close the door.

STITCH closes the shed door. HAYLEY gets on her knees and lifts up the floorboard that contains the control panel.
HAYLEY types in the four digit code and the floor opens up, revealing the stairwell.

JACOB (surprised)
You have an underground base in our shed?!

HAYLEY
Honey, if you ever bothered coming in here, you might’ve found it.

Cut to
INT. – HAYLEY’S ARMOURY – NIGHT

HAYLEY walks down the stairwell, with the bag in her hands, and walks into the room. The lights automatically turn on. HAYLEY is followed closely by JACOB and STITCH, who are shocked by the number of weapons on the wall.

STITCH
Whoa.

HAYLEY
Don’t touch anything. You might just blow your face off.

HAYLEY places the bag on the table. She then switches the computer screen on. CCTV footage of different parts of the house, loads onto the screen. JACOB stands with HAYLEY.

STITCH

Page 26
This doesn’t feel right. You’re my youth worker.

JACOB
And she’s my wife. (faces HAYLEY) It’s time for some answers.
Firstly, why did you try to kill me?

HAYLEY
(sighs) Because it was my assignment. It was to take out a man named Damien Richards. His image was of you.

JACOB
Clearly you received false intelligence or something.

HAYLEY
No. The intel is never off. I’ve been doing this for over twenty years. The intel’s never been off.

JACOB
Well if they checked their records, they would’ve seen that we
were married and I’m in no way connected to any of this.

HAYLEY is silent. JACOB realizes that HAYLEY has not told the organization that she is married to him.

JACOB (continued)
They don’t know, do they?

HAYLEY
It’s against the rules. Marriage or love is forbidden.

JACOB
Why?

HAYLEY
Because one day, I might have to kill you. To not love prevents us from becoming emotionally compromised.

JACOB
Evidently, you’re the odd one out.

HAYLEY
I did not want to kill you. For the first time in my life, I hesitated. If I wanted you dead, you would’ve never made it back from work. (pauses) This is the least of my worries at the moment.

JACOB
Well it’s not the least of mine. If you want to at least try and salvage this relationship, we need to talk.

Page 27
HAYLEY
Why don’t you start by explaining why you cheated on me, hey? I know I’ve made mistakes, but the one thing I’ve never
faltered is being a good wife to you.

JACOB (reluctantly)
Her name’s Francesqa. We work together.

HAYLEY
Francesqa. That’s a start.

STITCH
Stop. Please. I don’t want to hear this.

HAYLEY and JACOB turn to face STITCH. They look back at each
other. HAYLEY sighs and faces STITCH.

HAYLEY
Sorry. You shouldn’t have to hear this. (faces JACOB) This isn’t over.

Cut to
INT. – EDWIN’S OFFICE – NIGHT

EDWIN, now late forties, is sitting at the desk, listening to MASON as he talks to him. MASON’S wounded arm is now in a sling.

MASON
One of your people did this to my arm and kidnapped my son. Now, I don’t need to remind you what the consequences of this are. I am willing to help you put this right.

EDWIN
And what are you hoping to get from this? Payment?

MASON
No. The chance to get even. As soon as my son has been returned to me safely, I am willing to put this behind us.

EDWIN
(smiles) It appears we have a deal.

EDWIN holds his hand out and MASON shakes it.

Cut to
INT. – HAYLEY’S ARMOURY – NIGHT

HAYLEY, JACOB and STITCH are standing inside the room, talking

Page 28
to each other.

JACOB
We know who Damien Richards is. It’s Mason.

HAYLEY
Your best friend.

JACOB
Ex-best friend. He no longer was my friend after he pulled a gun on me.

STITCH
I can’t believe he did that. I thought I knew Dad. Turns out, I don’t know him at all.

HAYLEY loads up the search engine on the computer. JACOB and
STITCH crowd behind HAYLEY.

HAYLEY
If I run his name through the system, I get nothing.

HAYLEY types MASON’S name into the search engine. No results are found. HAYLEY types STITCH’S name into the search engine. No results are found.

STITCH
I’m not on there.

JACOB
What does that mean?

HAYLEY
They don’t exist. This search engine identifies any living person. (faces STITCH) There’s not a single record of you ever existing. My only guess is that you’re protected by the people your Dad’s working for. Either that or you’re being protected
by the government.

JACOB
Why would they do that?

HAYLEY
I don’t know. (faces STITCH) You spent a lot of time at home. Did you notice anything out of the ordinary? Anything that made you question your Dad?

STITCH
I don’t know. I spent most of the time in my room, going

Page 29
online and stuff.

JACOB
I’m going to get some bedding.

JACOB walks up the stairwell and out of the room.

STITCH (reluctantly)
More and more recently, Dad had people over at the house. I thought they were people he worked with.

HAYLEY
Do you remember what they look like?

STITCH
No. Dad always made sure I went to my room before they arrived. The weird thing is, Dad never used to be like this. It was only when Mum died. That was six years ago now.

HAYLEY
I know this is hard for you, but I need to know what happened. How did she die?

STITCH
It was my birthday. We’d just been out for a meal. We were on our way home when something ran out in front of the car. Dad lost control of the car and crashed. Mum was still alive, but we had to wait ages for the ambulance to reach us. By the time they got to us, Mum…died. (pauses) Dad blamed me because it was my birthday and if it was any other night, we would’ve been at home.

HAYLEY
I’m very sorry for your loss.

STITCH
I knew it would take time, but things never got better. Dad
grew depressed and would often hit me.

STITCH removes the sweatbands, revealing two badly scarred wrists. HAYLEY looks at them in horror.

STITCH (continued)
I thought cutting myself would make things better.

Cut to
INT. – JACOB AND HAYLEY’S BEDROOM – NIGHT

JACOB is standing in the middle of the room, talking to

Page 30
FRANCESQA on the phone. He talks quietly to avoid the conversation being overheard by HAYLEY.

JACOB
I know. I don’t like it either, but it’s only for a while. Just until things die down at my end.

FRANCESQA
It’s not you. It’s her. I don’t trust her…

Cut to
INT. – HAYLEY’S ARMOURY – NIGHT

HAYLEY and STITCH are standing inside the room in complete silence. HAYLEY checks the CCTV footage of the house to make sure their location has not been compromised. They are clear.

STITCH
Why do you do this? Out of all the careers you could choose
from, why this?

HAYLEY
When I was at school, I used to be very lonely. No one ever bothered talking to me. When they did, it was only to mock me. I had this crush on a boy. Blake. He was very handsome, but he already had a girlfriend. I knew nothing would never happen between us, but I was allowed to dream. (pauses) I found a note in my locker. It was from Blake. He said he wanted to meet me at the end of the day. I was so excited.

STITCH smiles, captivated by the story that HAYLEY is telling him.

HAYLEY (continued)
The letter turned out to be from Blake’s girlfriend. I was so upset. This man found me and told me that no one had to put up with what I had been through. He offered me a way out, which
was to kill her.

STITCH
Did you? Kill her?

HAYLEY
I did what I had to do. That man taught me everything I know and also introduced me to the organization I work for. (pauses) You’re the first person I’ve ever told this to. If you tell this to anyone else, I’m afraid I’d have to kill you.

STITCH

Page 31
If you had the chance to turn back time and not kill her, would you?

HAYLEY
Of course. I don’t like what I’ve become. That’s why I get involved in local activities. It’s the only way I can at least attempt to lead a normal life.

JACOB walks down the stairwell with three sets of duvets and three pillows in his hands. He places them on the floor.

JACOB
We’ve got beds.

HAYLEY
(faces STITCH) It’s really late. You should think about getting some sleep.

JACOB picks up a duvet and a pillow and holds them out to
STITCH, who takes hold of them.

JACOB
Goodnight, chap.

STITCH
Night.

STITCH places the pillow on the floor in the corner of the room. He lays on the floor with his head on the pillow. He covers himself with the duvet and closes his eyes.
Within moments, STITCH is asleep. HAYLEY sits on the floor with her back against the wall. JACOB sits beside her and puts his arm around her shoulders.

JACOB (quietly)
Did you get anything from him?

HAYLEY
No. Did Mason ever mention anything to you? Not even briefly?

JACOB
Only what he said tonight. He said that your firm has been working for the government. Maybe he’s trying to make them pay for something.

HAYLEY
It’s too big a thing for one man to do on his own. Whatever’s going on, I don’t get it. Nothing’s making sense. The only thing that does make sense is my firm wanting you dead.

Page 32
JACOB
I’m just an accountant. I’m nothing.

HAYLEY
You’re my husband.

JACOB smiles. They both kiss.

JACOB
The night we met, was that by chance or were you on the run?

Cut to
INT. – WAREHOUSE TOP FLOOR – EVENING – FLASHBACK

HAYLEY, now early thirties, punches VICTIM 1 in the face. VICTIM 1 rolls over the top of a desk and lands on the floor. HAYLEY stands behind VICTIM 1 and grabs hold of his neck.
She twists it, breaking VICTIM 1’S neck. She lets go of VICTIM 1 and he collapses to the floor, dead. Police sirens can now be heard in the distance…

Cut to
EXT. – OUTSIDE THE FISH AND CHIP SHOP – EVENING – FLASHBACK

HAYLEY is walking casually down the street. She is careful not
to attract any unwanted attention towards herself. HAYLEY watches a police car as it travels in the direction of the warehouse, sirens blazing.
HAYLEY does not notice JACOB, now early thirties, walking out of the fish and chip shop, eating a portion of chips. HAYLEY accidentally walks into JACOB, knocking the chips out of his hands.

HAYLEY (apologetically)
I’m so sorry! I wasn’t watching where I was walking. Let me buy you some more.

JACOB
No, no. It’s fine. (smiles) I’m Jacob.

HAYLEY
Hayley.

Cut to
EXT. – STREET – EVENING – FLASHBACK

JACOB and HAYLEY are sitting on a bench, each eating a portion of fish and chips. They are talking as they eat.


Page 33
JACOB
Are you local or from out of town?

HAYLEY
I’m not from around here. I’m just passing through. I travel a lot, so it made sense to make a passing visit. How about yourself?

JACOB
(eats a handful of chips) Local. Lived here all my life. I like it here and have no reason to leave, so why bother going?

HAYLEY
Don’t you get bored of the same routine? Getting up, going to work, coming home, eating fish and chips.

JACOB
It’s what I like doing. I’ve got no one else to worry about.
Have you got someone back home?

HAYLEY
Just me.

JACOB
You’re beautiful.

HAYLEY
I bet you say that to all the girls.

JACOB
Surprisingly, you’re one of the first.

They eat in silence.

Cut to
INT. – HAYLEY’S CAR – NIGHT

The car is parked on the ground floor of the car park. HAYLEY is sitting in the driver’s seat, patiently waiting.
The front passenger’s door opens and SAM gets in the car. She has a file in her hands. She closes the car door.

HAYLEY
Did you come alone?

SAM
Yes. And I even made sure I wasn’t followed. (pauses) I
found out everything you asked me to.


Page 34
SAM hands the file to HAYLEY, who flicks through it.

SAM (continued)
Took me a while, but it’s all in there. The first few pages contains a list of all the government related killings.

HAYLEY
How much time do I have?

SAM
Twenty-four hours maximum. I’d recommend you to leave the country, but when have you ever taken my advice?

HAYLEY
What’s your name?

SAM
You know the rules. No names.

HAYLEY
We’re not playing by the rules, are we?

SAM
There’s a man who might know where to find your guy. His name is Liam Hunt and in the back of the file, you’ll find a list of possible places to find him.

HAYLEY
If the circumstances were different, I’d actually like to get
to know you. The real you.

SAM opens the car door and gets out of the car. She turns back to face HAYLEY.

SAM
Amanda. That’s my name.

HAYLEY
Tamara.

SAM closes the car door. HAYLEY watches SAM as she walks away.

Cut to
INT. – HAYLEY’S ARMOURY – NIGHT

JACOB and STITCH are asleep on the floor. HAYLEY walks down the stairwell and into the room. She has the file in her hands, which she places on the desk.
She walks to the computer and checks the CCTV footage of

Page 35
the house to make sure she was not followed home. HAYLEY sits at the table and opens the bag which contains MASON’S laptop. She switches it on. HAYLEY patiently waits for MASON’S laptop to finish loading up.
HAYLEY searches through the entirety of the files on the laptop. She is frustrated as to not being able to locate any files on the laptop. She sits back, unsure what her next move is to be.

Cut to
INT. – WAREHOUSE GROUND FLOOR – NIGHT

MASON is standing before several armed assassins, talking to them. They are listening intently. A photograph of HAYLEY is on a whiteboard, as well as photographs of JACOB and HAYLEY’S house.

MASON
What we are dealing with is the best of the best. You’ve read her file so you know what we’re up against. Our assignment is simple. Kill Hayley and retrieve my son. I shall warn you all now. If my son is harmed in any way whatsoever, on your heads be it. You know the score. Do not mess this up for we will not get another shot at this.

Fade to black.

Cut to
INT. – HAYLEY’S ARMOURY – MORNING

HAYLEY is asleep at the desk. MASON’S laptop is in front of her. HAYLEY suddenly wakes up. She looks around and sees that JACOB and STITCH are not inside the room. She gets to her feet.

Cut to
INT. – JACOB AND HAYLEY’S KITCHEN – MORNING

JACOB and STITCH are sitting at the table, each eating a bowl of cereal. HAYLEY walks inside the room and throws LIAM’S file onto the table.

HAYLEY
Our target’s Liam Hunt. He’s twenty-three years old and is a petty thief.

JACOB picks up LIAM’S file and reads through it.

HAYLEY (continued)

Page 36
It’s our job to bring him and question him in regards of
Mason’s location. Now, he’s not physically dangerous, but he may be likely to carry a weapon. That means the correct precautions need to be taken.

JACOB finishes reading through the file. He hands it to STITCH, who looks through it.

JACOB
How do we find him?

HAYLEY
There’s a number of places he could be. This time of day, he’s
likely to be out doing what he does best. Stealing.

JACOB
I quite like the badass side of you. It’s very sexy.

HAYLEY winks at JACOB.

STITCH
(faces HAYLEY) One question. What will I be doing while you find him?

HAYLEY
You’ll have to come with us. It’s too dangerous leaving you on your own. Do you have a problem with that?

STITCH
No. Not at all.

Cut to
EXT. – STREET – MORNING

LIAM, twenty-three, is walking slowly down the street. He observes the crowds of people that walk past him, as he walks to a set of traffic lights.
LIAM spots an ELDERLY WOMAN standing at the traffic
lights with her handbag in her hands. LIAM casually walks
towards her, unaware that HAYLEY’S car is parked across the road from him.

Cut to
INT. – HAYLEY’S CAR – MORNING

HAYLEY is sitting in the driver’s seat. JACOB is sitting in the front passenger’s seat and STITCH is sitting in the back of the car. They watch LIAM as he steals the ELDERLY WOMAN’S purse from her handbag.

Page 37
STITCH (shocked)
He just nicked that lady’s purse!

They watch LIAM as he casually walks away from the ELDERLY WOMAN. He keeps the purse close to his left trouser pocket.

HAYLEY
Let’s see where he’s going.

HAYLEY switches the engine on and drives after LIAM. She is careful to keep a reasonable distance from LIAM.

Cut to
EXT. – ALLEYWAY – MORNING

LIAM turns into the alley. He still has the ELDERLY WOMAN’S purse in his hands. He stops and opens the purse. He smiles as
he sees that the purse is full of money.
He takes the money out of the purse and puts it inside his left trouser pocket. He throws the purse away, unaware that HAYLEY’S car is parked outside the alley.

Cut to
INT. – HAYLEY’S CAR – MORNING

HAYLEY, JACOB and STITCH are sitting in the car, watching LIAM as he lights a spliff and begins smoking it. HAYLEY takes off her seatbelt.

HAYLEY
Watch and learn, boys.

HAYLEY opens the driver’s door and gets out of the car. She closes the door.

Cut to
EXT. – ALLEYWAY – MORNING

LIAM is standing in the alley, smoking a spliff. He flicks it away as he sees HAYLEY walking towards him. He smiles as he undresses HAYLEY with his eyes.

LIAM
What’s up, good-looking?

HAYLEY
Liam Hunt?

LIAM

Page 38
Yeah. Who’s asking?

HAYLEY
You’re coming with me.

LIAM
(smiles) Oh, yeah? How are you gonna make me do that, eh?
Handcuff me?

HAYLEY
I’m not the police.

LIAM
You expect me to believe that? You pigs are always on my case. I’m trying here. Seriously.

HAYLEY
Honestly, I don’t give a fuck how bad your life is. You have certain information which I’m after.

LIAM
And what would that be? Please, love. Quit wasting my time. I’m a busy guy.

HAYLEY
Yeah. Stealing from the elderly is a real killer.

LIAM smiles. He brings out a knife and holds it towards HAYLEY.

LIAM (continued)
What’re you gonna do now?

HAYLEY sighs. She punches LIAM in the face. He drops the knife on the floor. HAYLEY grabs hold of LIAM and bangs his head on the wall. He falls to the floor, unconscious.

Cut to
INT. – ABANDONED LIVING ROOM – MORNING

LIAM is sitting unconscious on a chair in the middle of the room. His hands and feet have been tied to the chair. HAYLEY is standing before LIAM, now with a pair of leather gloves on.
She also has a belt in her hands. LIAM slowly opens his eyes. He tries to move, but realizes he is tied to the chair.

LIAM (furiously)
What the hell have you done with me, you bitch?! Where am I?


Page 39
HAYLEY whips LIAM across the leg with the belt. He screams from the agony of it.

HAYLEY
I’m going to ask you a series of questions. The way you answer them will determine whether you live or die. Do you understand me?

LIAM nods helplessly. HAYLEY brings out a photograph of MASON and shows it to LIAM.

HAYLEY (continued)
Where can I find him?

LIAM
How would I know? I’ve never seen him before in my life.

HAYLEY
You’re lying.

LIAM
Believe what you want to. I know the truth.

HAYLEY whips LIAM with the belt. He screams once again.

HAYLEY
You’re making this a lot harder than what it needs to be.

LIAM is silent. HAYLEY whips LIAM with the belt.

LIAM (loudly)
Bitch!

HAYLEY whips LIAM with the belt once again. He cries.

Cut to
INT. – HAYLEY’S CAR – MORNING

The car is parked outside the abandoned house. JACOB is sitting in the front passenger’s seat and STITCH is sitting in the back of the car, in complete silence.

JACOB
You’re quiet, kid.

STITCH
Does it not bother you what she could be doing to him?

JACOB

Page 40
I do not agree with what she’s done. In fact, my only conciliation is that she is doing this for us.

STITCH stares out of the window, trying not to imagine what HAYLEY is doing to LIAM.

Cut to
INT. – ABANDONED LIVING ROOM – MORNING

LIAM is still sitting, tied to the chair. His face is bleeding
from where HAYLEY has been interrogating him and he is tearful. HAYLEY repeatedly whips LIAM with the belt. He screams from the agony.

HAYLEY (furiously)
Tell me how to find him!

LIAM
Go to hell. Bitch.

HAYLEY
If you’re not going to tell me what I need to know, I have no need to keep you alive.

HAYLEY brings out a gun. She loads it and presses it against LIAM’S right kneecap.

HAYLEY (continued)
Last chance.

LIAM is silent. HAYLEY holds her finger on the trigger.

LIAM (desperately)
All right. I’ll tell you what you need to know.

HAYLEY
Talk!

LIAM
You have no way of finding him. If he wants you, he’ll come to you. Even if you try running from him, he’ll find you.

HAYLEY aims the gun at LIAM’S stomach.

LIAM (continued)
I thought you’re letting me go.

HAYLEY
I lied.

Page 41
HAYLEY shoots LIAM twice in the stomach, killing him. HAYLEY puts the gun away.

Cut to
INT. – HAYLEY’S CAR – MORNING

JACOB and STITCH are sitting in the car, anxiously awaiting HAYLEY’S return. The driver’s door opens and HAYLEY gets in
the car. She closes the door and puts her seatbelt on. HAYLEY no longer has the leather gloves on.

JACOB
What’d you get?

HAYLEY
Nothing. He was a dead end.

STITCH
So you just killed him?

HAYLEY ignore STITCH as she switches the engine on.

Cut to
INT. – FRANCESQA’S CAR – MORNING

The car is parked further down the road from HAYLEY’S car. FRANCESQA is sitting in the driver’s seat. She watches as HAYLEY’S car drives away. FRANCESQA switches the engine on and drives after HAYLEY’S car.

Cut to
EXT. – JACOB AND HAYLEY’S FRONT GARDEN – AFTERNOON

JIMMY and REBECCA’S car is parked by the edge of the road. JIMMY and REBECCA are standing at the front door.
HAYLEY’S car pulls onto the driveway and the engine is switched off. HAYLEY, JACOB and STITCH get out of the car. They see JIMMY and REBECCA standing at the front door. HAYLEY sighs.

HAYLEY (muttering)
Great. That’s all we need.

JACOB
Now, now, dearest. Be nice.

HAYLEY, JACOB and STITCH walk to JIMMY and REBECCA.

HAYLEY & JACOB

Page 42
Hi.

JIMMY
Who’s the kid?

HAYLEY
My nephew.

STITCH
Hi. I’m Stitch.

STITCH holds his hand out to them. JIMMY shakes his hand.

REBECCA
Oh, my. Someone with manners. Now that’s hard to come by these days.

HAYLEY
So was there any reason why you came or were you just passing by?

REBECCA
We were just checking to see if everything was okay. You seemed to be acting a bit strange last night.

HAYLEY
I found out he was cheating on me.

JACOB
And I found out she was a contract killer. Who’d have guessed?

REBECCA
(smiles) Right. Anyway, we best be off.

STITCH
It was nice meeting you.

JIMMY and REBECCA walk towards their car. JIMMY gets in the driver’s seat and REBECCA gets in the front passenger’s seat. STITCH waves goodbye to them as JIMMY switches the engine on and drives away.

JACOB
Why is it when you tell the truth, no one believes you?

HAYLEY
I have no idea.

Cut to

Page 43
INT. – HAYLEY’S ARMOURY – AFTERNOON

HAYLEY walks down the stairwell and into the room. The lights automatically turn on. HAYLEY is followed closely by JACOB and STITCH.

JACOB
I don’t get it. He must’ve told you something.

HAYLEY
(faces JACOB) I told you he was a dead end. Will you just
leave it at that?

JACOB
You killed someone. If you cannot justify it, then no. I’m not going to leave it.

An alarm suddenly blares throughout the entire room.

STITCH
What’s happening?

HAYLEY hurries to the computer and looks at the CCTV footage of the house. Three vans can be seen stopping outside the front garden.

HAYLEY
They’re here for me.

HAYLEY walks to the wall and selects several guns from it.

JACOB
Hayley, who are they?

HAYLEY
People like me. When you fail to complete an assignment,
you’re automatically put on the list. The list means you’ve become a target. I’m guessing I’m pretty high up on that list.

JACOB walks to HAYLEY and kisses her on the lips.

JACOB
I love you.

HAYLEY walks to the stairwell, armed with the weapons…

Cut to
INT. – JACOB AND HAYLEY’S KITCHEN – AFTERNOON


Page 44
The back door is kicked open and HAYLEY hurries inside the room. She checks to make sure the room is empty, then walks towards the kitchen door.

Cut to
INT. – JACOB AND HAYLEY’S HALLWAY – AFTERNOON

HAYLEY walks out of the kitchen and stands still. She loads the guns. The front door is blown off its hinges. Several
armed assassins make their way inside the house.
HAYLEY opens fire on them, shooting them down. The
assassins open fire on HAYLEY, who turns and kicks the living room door open.

Cut to
INT. – JACOB AND HAYLEY’S LIVING ROOM – AFTERNOON

HAYLEY hurries inside the room and closes the door. She reloads the guns. HAYLEY pulls the settee out and crouches behind it for cover. Footsteps can be heard approaching the living room door. HAYLEY opens fire on the door, shooting down an assassin. The living room door is kicked open and the assassins open fire on HAYLEY.
HAYLEY ducks behind the settee. A stun grenade is suddenly thrown through the living room window. It goes off, temporarily blinding HAYLEY. By the time that HAYLEY’S eyesight returns, she is surrounded. MASON stands in the doorway of the room, along with ASSASSIN 1.

MASON
Don’t shoot. I want her alive.

MASON pushes his way past the assassins until he stands before HAYLEY. She keeps the guns aimed at him.

MASON (continued)
Don’t turn this into more of a massacre than it already is.

HAYLEY reluctantly lowers the guns. MASON clicks his fingers. ASSASSIN 1 removes the guns from HAYLEY.

MASON (continued)
Where is he? Where’s my son?

HAYLEY
I don’t know what you’re talking about.

MASON smiles. He punches HAYLEY in the face.


Page 45
MASON
You’re making this a lot harder than what it needs to be.

Cut to
INT. – HAYLEY’S ARMOURY – AFTERNOON

JACOB and STITCH are standing at the computer, watching the CCTV footage of the living room. They watch MASON as he pushes HAYLEY to her knees and puts a gun to her head.

STITCH
We’ve got to help her.

Cut to
INT. – JACOB AND HAYLEY’S LIVING ROOM – AFTERNOON

HAYLEY is on her knees and is surrounded by several armed assassins. MASON is standing in front of HAYLEY with a gun against her head.

MASON
My son. Tell me where to find him.

HAYLEY is silent. MASON rests his finger on the trigger.

MASON (continued)
Goodbye, Hayley.

STITCH steps inside the room.

STITCH
Dad.

They all turn to face STITCH, who steps forward.

MASON
Stitch. Let him through.

The assassins clear a path so that STITCH is able to walk to MASON.
MASON (continued)
My son.

MASON attempts to hug STITCH, but STITCH disallows it. MASON slaps STITCH across the face.
The assassins are unaware that JACOB is standing in the doorway of the room with a shotgun in his hands. JACOB attempts to shoot ASSASSIN 1, but the shotgun clicks. ASSASSIN 1 turns to face JACOB. JACOB throws the shotgun to the floor

Page 46
and puts his hands in the air.

JACOB
Don’t shoot! I surrender.

HAYLEY sighs. Her only chance of being rescued has been ruined due to JACOB and STITCH’S capture.
ASSASSIN 1 brings JACOB before HAYLEY, STITCH and MASON and pushes him to his knees.

HAYLEY (muttering)
Great job.

JACOB
At least I tried to save you.

ASSASSIN 1 puts a gun to JACOB’S head.

ASSASSIN 1
Shut up.

JACOB gulps. MASON keeps eye contact with STITCH, who struggles to show that he is scared. Police sirens can now be heard in the distance.

STITCH
I’m not afraid of you, Dad. Not anymore.

MASON
I never wanted you to be afraid of me. I just wanted what was best for you.

STITCH, unable to contain his emotions, breaks down in tears before MASON.

STITCH (tearfully)
Ever since Mum died, you’ve been treating me as if I’m nothing and it’s not fair!

MASON
Don’t you dare bring your Mother into this!

STITCH
It’s true! You’ve changed. I’m ashamed to call you family.
(shows the scarred wrists to MASON) That’s what living with you has made like and I hate it! I hate you!

MASON
Why didn’t you ever tell me you felt like this, eh?

Page 47
STITCH
Because you wouldn’t listen. You never listened to me.

ASSASSIN 1
Sir. We need to leave now.

MASON
(faces the assassins) Withdraw!

The assassins hurry out of the room. MASON faces HAYLEY and JACOB who gets to their feet.

MASON (continued)
This isn’t over.

MASON puts the gun away. He looks to STITCH one final time and walks out of the room. STITCH wipes the tears away from his eyes as JACOB rests his hand on his shoulder.

JACOB
You did good, kid.

HAYLEY
We need to leave.

HAYLEY walks towards the living room door. JACOB and STITCH walk after her.

Cut to
EXT. – JACOB AND HAYLEY’S FRONT GARDEN – AFTERNOON

HAYLEY walks out of the house. She is followed closely by JACOB and STITCH. The police sirens can be heard rapidly approaching the house. HAYLEY, JACOB and STITCH walk towards HAYLEY’S car, which is parked on the driveway.

Cut to
INT. – HAYLEY’S CAR – AFTERNOON

HAYLEY is driving the car down the street. JACOB is sitting in the front passenger’s seat and STITCH is sitting in the back of the car. STITCH is staring out of the window.
HAYLEY looks back to STITCH, concerned about his state of mind. She pulls the car to the edge of the road and switches the engine off.

HAYLEY
We’ll stop here for a drink.


Page 48
HAYLEY opens the dashboard and brings out her purse.

Cut to
EXT. – OUTSIDE THE CAFÉ – AFTERNOON

The car doors open and HAYLEY, JACOB and STITCH get out of the car. They close the car doors and stand in silence. HAYLEY opens her purse and brings out four one pound coins. She hands them to STITCH.

HAYLEY
Why don’t you give some of your friends a call?

STITCH
What are you guys gonna do?

HAYLEY
We’ll get a drink. Can I get you one?

STITCH
No, thanks. How long can I have?

HAYLEY
(looks to JACOB) Twenty minutes?

JACOB shrugs. HAYLEY turns back to STITCH.

HAYLEY (continued)
We’ll meet back here.

HAYLEY and JACOB walk inside the café. STITCH turns and walks towards the public phonebox, which is further down the street.

Cut to
INT. – CAFÉ – AFTERNOON

HAYLEY and JACOB are sitting at a table in complete silence. They each have a half-empty mug of tea in front of them, which
they are slowly drinking.

JACOB
Where do we go from here?

HAYLEY
We find a place to stay. Hopefully we’ll have enough time to
figure what move to take before we’re found again.

JACOB sighs.


Page 49
HAYLEY (continued)
I’m trying, Jacob. What more can you honestly expect me to do?

JACOB
It’s your fault we’re having to live like this.

HAYLEY
Thank you, Jacob. Thanks a lot.

HAYLEY picks up the mug of tea and throws the contents of it
over JACOB. He gasps from the shock of it.

Cut to
INT. – PUBLIC PHONEBOX – AFTERNOON

STITCH is standing inside the public phonebox. He types in MEGAN’S mobile number and picks up the phone as the call is made to MEGAN. She answers the phone.

MEGAN
Hello?

STITCH
Hey, Megan. It’s me.

MEGAN
Stitch, where the hell have you been?! I’ve been trying to get hold of you for ages.

STITCH
I’m sorry. Things have been really hectic my end.

Cut to
EXT. – CAFÉ – AFTERNOON

HAYLEY is standing with her back against the wall. JACOB storms out of the café after attempting to wash the tea off his shirt and out of his hair. He marches toward HAYLEY.

JACOB (furiously)
If you want any hope of saving this marriage, you need to start treating me like your husband. Not your human punch bag.

HAYLEY
No. You need to understand that you’re not God’s gift to the world. Truth is, you’re nothing.

JACOB
You’re nothing! What you do. How can you even attempt to live

Page 50
like that?

In a fit of rage, HAYLEY kneels JACOB in the privates. He screams and collapses to the floor, holding onto his crotch.

JACOB (defensively)
This is what I’m talking about! You can’t keep doing this to me!

HAYLEY
I’ve been wanting to stop for years. Ever since the night I met you. For the first time in my life, I felt complete. But
my job. It’s not like yours. You can’t just hand in your resignation and be done with it. If I’d left, I’d be dead.

JACOB
I’m sorry. I didn’t understand.

HAYLEY holds out her hand to JACOB. JACOB takes hold of HAYLEY’S hand and she brings him to his feet.

HAYLEY
You’re right. I shouldn’t keep treating you the way I have.

Cut to
INT. – PUBLIC PHONEBOX – AFTERNOON

STITCH is still standing inside the public phonebox, talking to MEGAN on the phone. He is visibly bored from listening to MEGAN’S complaining.

MEGAN
It’s not too unreasonable to know what’s going on. I have a
life too. You need to…

STITCH sighs and puts the phone down. STITCH dials MEGAN’S phone number and she answers the phone.

STITCH
Are you finished yet?

MEGAN hangs up on STITCH. He gasps.

STITCH (muttering)
I don’t believe it.

STITCH redials MEGAN’S phone number. She answers the phone.

STITCH (continued)

Page 51
I’m sorry, Megan. I shouldn’t have hung up on you. I was out of order.

MEGAN
I accept your apology.

STITCH
Can we still be friends?

MEGAN
That depends. Are you going to stop acting like this?

STITCH
Uh-huh.

MEGAN
Welcome back, Stitch.

STITCH smiles. Silence.

MEGAN (continued)
What’s wrong?

STITCH
Nothing. I’m fine. You don’t need to worry about me.

Cut to
EXT. – OUTSIDE THE CAFÉ – AFTERNOON

HAYLEY and JACOB are standing together, quietly talking to each other. They are waiting for STITCH to finish on the phone. STITCH walks out of the public phonebox and walks to HAYLEY and JACOB.

HAYLEY
Go wait for me in the car.

JACOB walks towards HAYLEY’S car, which is parked by the edge of the road. HAYLEY faces STITCH.

HAYLEY (continued)
Who were you on the phone to?

STITCH
A mate at school. We’ve been rehearsing for a play.

HAYLEY
So you’re a performer?


Page 52
STITCH
I take A-level Drama as well as other things.

HAYLEY
Tell me about the play.

STITCH
It was written by Megan. It’s about these two teens that really can’t stand each other and are one day forced to be paired together. It’s a sort of musical. (hesitates) I suppose
I won’t be able to do it no more.

HAYLEY is silent. STITCH walks towards HAYLEY’S car.

HAYLEY
Stitch.

STITCH turns back to face HAYLEY.

STITCH
Yeah?

HAYLEY
Thank you. For saving my life back at the house.

STITCH
(smiles) You looked like you needed my help.

HAYLEY
You’re a good person. I wish I was more like you.

STITCH
You are. Deep down.

Cut to
INT. – EDWIN’S OFFICE – AFTERNOON

EDWIN is sitting at the desk, talking to MASON, who is sitting in front of him. MASON is listening intently.

EDWIN
I gave you my men and my resources and yet you failed.

MASON
The situation grew out of hand. I was forced to retreat. If I may?

EDWIN
Go ahead.

Page 53
MASON
I would like to request more men. She will not get away from me again. I can promise you that.

EDWIN
I’m afraid there are no second chances with us. (smiles) Company policy.

MASON
(slams his fists on the table) No! I’m not buying it! This is because of your involvement.

EDWIN
We’re done here.

MASON shakes his head disapprovingly. He gets to his feet and walks towards the office door. He opens it and walks out of the room.

Cut to
INT. – HAYLEY’S CAR – AFTERNOON

HAYLEY is driving the car down the street. JACOB is sitting in the front passenger’s seat and STITCH is sitting in the back of the car. They are sitting in complete silence.

STITCH
Where are we going?

HAYLEY
I don’t know. We’ve lost the safe house. There’s nowhere else to…

JACOB
(interrupts HAYLEY) I know a place.

HAYLEY realises that JACOB is suggesting they stay at
FRANCESQA’S house. HAYLEY slams on the breaks, bringing the car to a halt.

HAYLEY (furiously)
There is no way we’re staying with her.

STITCH casually brings out his iPod. He puts the headphones in his ears and listens to music.

JACOB
Where else can we go? All the places you’ve taken us to, someone ends up dead. Look. I know this will be hard for you,

Page 54
but please. Give it a shot.

HAYLEY
How do you know we can trust her?

JACOB
If she tries to kill me, I give you permission to kill her.
Other than that, she stays alive. Deal?

Cut to
INT. – FRANCESQA’S LIVING ROOM – AFTERNOON

HAYLEY, JACOB and STITCH are sitting on the settee, in complete silence. FRANCESQA walks inside the room and sits on
the chair opposite HAYLEY, JACOB and STITCH.

FRANCESQA
I have to admit, I was surprised when I received your call. What happened to the house?

HAYLEY
Got broken into. Everything wrecked.

FRANCESQA
That must really suck. I know how much time you’ve put into everything. (faces JACOB) Did the thieves throw tea at you?

JACOB
Yeah. You could say that.

FRANCESQA
Why don’t you have a shower?

HAYLEY kisses JACOB on the lips, who responds. HAYLEY draws out the duration of the kiss in an attempt to make FRANCESQA jealous. STITCH rolls his eyes. JACOB pulls away from HAYLEY.

JACOB (whispering)
Be nice.

JACOB gets to his feet and walks out of the room. There is an
awkward silence between HAYLEY, STITCH and FRANCESQA.

STITCH
So…

The silence continues.

STITCH (continued)

Page 55
I’m Stitch.

FRANCESQA
Hey, Stitch. I’m Francesqa.

HAYLEY
(interrupts FRANCESQA) A filthy, husband stealing whore.

FRANCESQA blushes slightly.

HAYLEY (continued)
What’s the matter? Cat got your tongue?

FRANCESQA
I’m not asking you to like me, Hayley, but can we at least get on for Jacob’s sake?

HAYLEY
For Jacob’s sake. How about apologising?

STITCH awkwardly clears his throat.

FRANCESQA
I’m sorry, Hayley. I’m sorry that you were such a bad wife to
Jacob that you drove him away.

Cut to
INT. – FRANCESQA’S SPAIR BEDROOM – EVENING

The bedroom door is ajar. JACOB is standing next to the bed, drying his hair with a towel. He is now wearing casual clothes. FRANCESQA steps inside the room. She closes the bedroom door. JACOB turns to face her.

JACOB
Thank you for agreeing to have us. I know how awkward it must be for you.

FRANCESQA
I just don’t understand how you can be with her. What’s keeping you from leaving? Be with me. I can offer you the
stability of a normal relationship.

FRANCESQA goes to kiss JACOB, but he moves out of the way.

FRANCESQA (continued)
What’re you afraid of?

JACOB kisses FRANCESQA on the lips. She responds.

Page 56
Cut to
INT. – FRANCESQA’S DINING ROOM – EVENING

HAYLEY is standing at the table with the file out in front of her. The list of all government funded killings are visible. STITCH walks inside the room. He stands with HAYLEY, who stares at the list.

STITCH
What have you got there?

HAYLEY
A list of all government funded killings in the past fifteen months.

STITCH
(looks at the list) Whoa. Corrupt, much?

HAYLEY
That’s exactly what I was thinking.

STITCH looks through the list of victims.

STITCH
How many of these have you killed?

HAYLEY
Too many.

STITCH
Why were they killed?

HAYLEY
Protesting? Being part of rival parties? Who knows? None of this makes sense. (closes the file) It’s time I paid my boss a visit.

Cut to
INT. – FRANCESQA’S KITCHEN – EVENING

JACOB and FRANCESQA are standing with their backs against the worktops, laughing and joking with each other. They each have a can of beer in their hands, which they are drinking from. HAYLEY stands in the doorway of the room. JACOB and FRANCESQA turn to face her.

JACOB
Hey, sweetheart.


Page 57
HAYLEY
I’m going out for a few hours. Got some work that needs taking care of. Don’t wait up for me.

HAYLEY turns and walks out of the room. The front door can be heard closing as HAYLEY leaves the house.

FRANCESQA
(whispers) Work at this time of day?

JACOB
(takes a mouthful of beer) If I told you what she does, you’d never believe me.

FRANCESQA
Try me.

JACOB
(leans forward) She kills people.

FRANCESQA
(gasps) No way. My uncle. That’s what he does too.

JACOB
Seriously?

FRANCESQA
No, Jacob. He’s a plumber.

Cut to
INT. – FRANCESQA’S HALLWAY – EVENING

STITCH is standing in the doorway of the kitchen, watching
JACOB and FRANCESQA as they talk with each other. STITCH turns and walks across the hallway. He walks up the stairs.

Cut to
INT. – FRANCESQA’S BEDROOM – EVENING

The bedroom door opens and STITCH steps inside the room. He closes the door. He looks around the room, suspicious that FRANCESQA is not really whom she says she is. STITCH opens the bedside cabinet. There is a photograph album inside it.
He brings it out and sits on the bed as he looks through it. It is filled with photographs of HAYLEY and JACOB going through their daily routine. The photographs towards the end of the album have HAYLEY, JACOB and STITCH talking to JIMMY and REBECCA outside HAYLEY and JACOB’S house…


Page 58
Cut to
INT. – EDWIN’S OFFICE – EVENING

EDWIN is sitting at the desk. He looks at the clock on the wall and sees that it is late. EDWIN brings out his briefcase from underneath the desk and gets to his feet.

Cut to
INT. – OUTSIDE THE ORGANISATION HQ – EVENING

EDWIN walks out of the building with his briefcase in his hand. He walks towards his car, which is parked by the edge of the road. EDWIN brings out his car keys and uses them to unlock the car. He opens the driver’s door…

Cut to
INT. – EDWIN’S CAR – EVENING

EDWIN gets in the driver’s seat, unaware that HAYLEY is sitting in the back of the car. EDWIN places his briefcase in the front passenger’s seat and closes the door. HAYLEY brings out a gun and puts it against the back of EDWIN’S head.

EDWIN
Are you here to kill me?

HAYLEY
If I was here to kill you, you’d already be dead.

EDWIN
Then what do I owe this visit to?

HAYLEY
You’re working with the man who I was assigned to kill. Why?

EDWIN
We have an understanding.

HAYLEY
Whatever he’s helping you with, he’s not. He’s setting you up. He has no intention to work with you.

EDWIN
We’ll see.

HAYLEY
I want out.

EDWIN

Page 59
You know the rules, Hayley. Once you’re in, there’s no getting out.

HAYLEY
Help me. After all we’ve been through, do it for me.

EDWIN picks up the briefcase and hands it to HAYLEY.

EDWIN
I’m sure you’ll find something of interest in there.

HAYLEY
Thank you.

HAYLEY puts the gun away and gets out of the car. She walks away. EDWIN switches the engine on. The car suddenly explodes, killing EDWIN instantly.

Cut to
INT. – MASON’S CAR – EVENING

MASON’S car is parked across the road from the organisation’s HQ. MASON is sitting in the driver’s seat and has just seen
EDWIN’S car explode. He smiles.

Fade Out
























To Be Continued…